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perfect room
reverb
Be the Architect of Your Audio
Perfect Room allows producers to design wide-ranging reverbs that enhance their tracks with expansive volume and dimension without the risk of tinny artifacts or mix-smothering resonances.
highlights
Space Out
TXVerb reverb technology
Denise Audio’s unique reverberation algorithm enhances the inherent character and coloration of your sound without cluttering it.
Denise Audio’s unique reverberation algorithm enhances the inherent character and coloration of your sound without cluttering it.
Completely tight low-end
Apply reverb to bass guitars and kick drums without fear of flooding your mix with unwanted frequencies.
Apply reverb to bass guitars and kick drums without fear of flooding your mix with unwanted frequencies.
Zero metallic resonance
Bring out the natural clarity and presence of your instruments and vocals without generating harshness.
Bring out the natural clarity and presence of your instruments and vocals without generating harshness.
Larger than life mono to stereo
Embed your mono tracks in expansive stereo environments without any phasing issues using the width parameter.
Embed your mono tracks in expansive stereo environments without any phasing issues using the width parameter.
More highlights
Creative effects
Add motion, atmosphere, and celestial sparkle to your reverb with Perfect Room’s built-in Shimmer, Detune, and Ducker parameters.
Add motion, atmosphere, and celestial sparkle to your reverb with Perfect Room’s built-in Shimmer, Detune, and Ducker parameters.
Single tracks, busses, or mastering
Because Perfect Room’s effect is so clean, it’s just as applicable on stereo buses as it is on single tracks.
Because Perfect Room’s effect is so clean, it’s just as applicable on stereo buses as it is on single tracks.
Perfect for external FX
Perfect Room plays beautifully on a bus with other effects and encourages you to craft unique, characterful soundscapes that retain musicality no matter where you take them.
Perfect Room plays beautifully on a bus with other effects and encourages you to craft unique, characterful soundscapes that retain musicality no matter where you take them.
Versatile
With 3 different tail shapes and 5 room types to choose from, Perfect Room covers all bases, all genres, and all applications.
With 3 different tail shapes and 5 room types to choose from, Perfect Room covers all bases, all genres, and all applications.
Discover perfect room
Get a Room
Classic algorithmic reverb plugins use a combination of short feedbacking delays to create the illusion of reverberation. While tried and true, this method results in metallic harshness, low end mud, and sharp spikes in the effect’s frequency response.
Perfect Room redraws the blueprint. By avoiding the use of miniscule instances of delay to “fake” a reverb tail, our TXVerb technology lets you build natural sounding environments for your audio to spread its legs in. From the lowest floor tom to the highest synth lead, you can use Perfect Room to fashion tight, responsive reflections or stretch out into ethereal dreamscapes with no unpleasant anomalies or unwieldy mids to overwhelm your mix and crowd your personal space.
Apply endless reverb to high pitched vocals, guitars, and pads using Perfect Room’s high and low-pass filter settings to accentuate only the frequencies you want to extend. Then use the Width parameter to turn even mundane mono signals into immaculate, wall-to-wall stereo horizons with no phasing issues.
Instruments that dwell in the low end of the frequency spectrum are so challenging to add lush reverb to that most producers simply won’t even consider it. With its tail and ducker parameters, Perfect Room’s pristine take on the effect finally gives kick drums and bass instruments a little room to breathe.
Because of its flexibility, Perfect Room encourages you to use reverb in unconventional ways that far exceed the traditional floor plans.
Perfect Room redraws the blueprint. By avoiding the use of miniscule instances of delay to “fake” a reverb tail, our TXVerb technology lets you build natural sounding environments for your audio to spread its legs in. From the lowest floor tom to the highest synth lead, you can use Perfect Room to fashion tight, responsive reflections or stretch out into ethereal dreamscapes with no unpleasant anomalies or unwieldy mids to overwhelm your mix and crowd your personal space.
Apply endless reverb to high pitched vocals, guitars, and pads using Perfect Room’s high and low-pass filter settings to accentuate only the frequencies you want to extend. Then use the Width parameter to turn even mundane mono signals into immaculate, wall-to-wall stereo horizons with no phasing issues.
Instruments that dwell in the low end of the frequency spectrum are so challenging to add lush reverb to that most producers simply won’t even consider it. With its tail and ducker parameters, Perfect Room’s pristine take on the effect finally gives kick drums and bass instruments a little room to breathe.
Because of its flexibility, Perfect Room encourages you to use reverb in unconventional ways that far exceed the traditional floor plans.
Shape Your Sound With Perfect Room
Get Perfect Room for just $59 or download the free trial. The free trial will output 5 seconds of silence every 60 seconds until activated.
All Features / Online Manual
- INPUT AND OUTPUT (-48dB to 48dB): Input and output gain that let you boost or attenuate the signal going in and going out, giving you more control over the signal.
- MIX (0% to 100%): Smoothly mixes in the wet reverb signal giving you control over the overall intensity of the effect.
- HPF AND LPF (20Hz to 20kHz): A high pass and low pass filter to apply additional filtering to the generated noise.
- DELAY (0ms to 1000ms): Adds pre-delay to the wet reverb signal, to preserve clarity and transients.
- TAIL (0ms to 5000ms): Controls the length of the reverb tail.
- WIDTH (0% to 100%): Lets you adjust the stereo width of the wet reverb signal.
- CURVE (NATURAL / TRIANGLE / SQUARE): Lets you choose between different tail decay shapes.
- TYPE (BRIGHT XL / BRIGHT / FLAT / DARK / DARK XL): Lets you choose between different room colors.
- FLIP (ON / OFF): Reverses the reverb tail.
- SPLIT (ON / OFF): Creates a stereo reverb from a mono source.
- SHIMMER (0% to 100%): Smoothly mixes in the shimmer effect.
- SOURCE (0% to 100%): Controls the mix amount of the original reverb signal.
- LO OCTAVE (0% to 100%): Controls the mix amount of the reverb signal copy pitched down one octave down.
- HI OCTAVE (0% to 100%): Controls the mix amount of the reverb signal copy pitched up one octave down.
- DETUNE (0% to 100%): Smoothly mixes in the detune effect.
- WOW (0% to 100%): Lets you slowly detune the wet reverb signal in a pseudo-random manner.
- SHAKE (0% to 100%): Lets you quickly detune the wet reverb signal in a pseudo-random manner.
- SPEED (0% to 100%): Lets you control the speed of the wow and shake features.
- DUCKER (0% to 100%): Smoothly mixes in the ducker effect.
- THRESHOLD (-48dB to 0db): Sets the threshold above where the ducking kicks in.
- RATIO (1 to 10): Sets the compression ratio used by the ducker.
- ATTACK (0ms to 1000ms): The attack feature fades in the gain reduction generated by the ducker.
- HOLD (0ms to 100ms): The hold feature stabilizes the gain reduction generated by the ducker.
- RELEASE (0ms to 5000ms): The release feature fades out the gain reduction generated by the ducker.
- LATENCY: To utilize the TXVerb technology the Perfect room has 4096 samples latency. The plug-in reports this latency to the DAW, so the DAW can compensate for it if you enable the DAW's 'delay compensation' functionality. This means that in any professional DAW, you don not have to worry about latency at all during the mixing mastering stage of your productions. However, in general DAW delay compensation does not work when recording. This means that the Perfect Room reverb plugin will have some latency during the recording stage, just like any other plugin that reports latency to the DAW.
Technical Specs
- Windows: 32-bit and 64-bit Windows 7 or newer VST, VST3, AAX
- OSX: 64-bit OSX 10.11 or newer VST, VST3, AU, AAX (including Native m1/m2)
